Satyajit Rays nimmt in der Forschung zum indischen Kino eine zentrale Stellung ein. Meist werden seine Filme unter den Gesichtspunkten von Humanismus und Realismus gelesen. DEVI und MONIHARA (Die verlorenen Juwelen), das Mittelstück des Episodenfilms Die drei Töchter und Rays einziger Horror-Film, bieten eine Gelegenheit über das Unheimliche und Nicht-Menschliche in seinem Werk nachzudenken. Meheli Sen ist Associate Professor im

ConTrust Research seminar „India as Method: Challenges and Perspectives in the Study of Media and Politics in Contemporary South Asia“ With Moinak Biswas It was commonly believed that with the development of modern forms, Indian cinema will present a fuller notion of the individual. We have had reasons to question that equation between modernity and

Lecture With Prof. Dr. Louis Kotzé, Faculty of Law, North-West University, South Africa Lecture Series "Climate Contested". More here.. An event organized by Dr. Johan Horst, Marie-Theres Piening & Prof. Dr. Tobias Singelnstein, Prof. Dr. Doris Schweitzer & Alina Wandelt OrganizerResearch Initiative “ConTrust: Trust in Conflict – Political Life under Conditions of Uncertainty